Virtual accompanist

Play “Universal Praise to God”

Free same-meter accompaniment for Universal Praise to God (Isaac Watts): organ, piano or guitar playing the tune OLD 100TH (Louis Bourgeois) in four-part harmony, 6 verses, with the words on screen. Choose the key and speed, add an introduction, project the words on a TV, or practice your own choir part. Made for churches and home groups without a musician.

Sung here to OLD 100TH (Louis Bourgeois), a Long Meter (8.8.8.8) tune — not necessarily the tune usually paired with this text. Any tune in the same meter fits the words.

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  1. 1Loud hallelujahs to the Lord,
  2. From distant worlds where creatures dwell,
  3. Let heav'n begin the solemn word,
  4. And sound it dreadful down to hell.
  5. 2High on a throne His glories dwell,
  6. An awful throne of shining bliss:
  7. Fly through the world, O sun! and tell
  8. How dark thy beams compared to His.
  9. 3Let clouds and winds, and waves agree
  10. To join their praise with blazing fire;
  11. Let the firm earth and rolling sea,
  12. In this eternal song conspire.
  13. 4Wide as His vast dominion lies,
  14. Make the Creator's name be known:
  15. Loud as His thunder, shout His praise,
  16. And sound it lofty as His throne.
  17. 5Jehovah--'tis a glorious word!
  18. O, may it dwell on every tongue!
  19. But saints, who best have known the Lord,
  20. Are bound to raise the noblest song.
  21. 6Speak of the wonders of that love
  22. Which Gabriel plays on every chord:
  23. From all below, and all above,
  24. Loud hallelujahs to the Lord.

About this music

OLD 100TH — Louis Bourgeois. Setting: Sternhold and Hopkins' Psalter, 1561.. The score is from the Open Hymnal Project, copied from ccel from Sternhold and Hopkins' Psalter 1561. Words: "Hymnal and Canticles of the Protestant Episcopal Church", 1875, hymn 405.; music and setting are in the public domain. The words above are from the hymnal cited on the Universal Praise to God page.

Played in your browser with instrument sounds from the FluidR3 soundfont by Frank Wen (MIT license). No recordings are used.

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